The Art of Fiction No. 77
“When I was twelve
. . . I'd write little book reviews. There was a review of . . . Pepys's Diary . . . and I didn’t see that there was any difference between [the kids’ books I read at the time] and . . . Pepys's Diary.”
Nadine Gordimer was born in Springs, in South Africa’s Guateng province. She was the recipient of the Nobel Prize for Literature in 1991, the French Legion of Honor in 2007, and the Booker Prize for her novel The Conservationist (1974). In both fiction and nonfiction, Gordimer portrays life in apartheid South Africa to a global audience, painting intimate portraits of individuals against the backdrop of greater social and racial conflict. Gordimer herself was a member of the African National Congress during apartheid, and several of her novels were banned as a result of government censorship. Her notable works include Face to Face (1949), The Late Bourgeois World (1966), Burger’s Daughter (1979), July’s People (1981), and Telling Times: Writing and Living, 1954-2008 (2010).
“When I was twelve
. . . I'd write little book reviews. There was a review of . . . Pepys's Diary . . . and I didn’t see that there was any difference between [the kids’ books I read at the time] and . . . Pepys's Diary.”
The combis that, sending gusts of taped reggae and mbaqanga into the traffic, transport blacks back and forth between township and city, now carry a strange cargo of whites. The street committee
The house to themselves. Children with the house to themselves. When they were still children, what wild release that signaled; romping from room to room, all lights burning, bedtime banished
Somehow it wasn’t altogether a surprise when Waldeck Brand and his wife bumped into Carlitta at a theater in New York in 1953. The Brands were six thousand miles away from their home in South Africa,